2022年上海高级口译练习题:铜管乐队的衰落
上海高级口译相对来说难度更大,对于基础和中级口译来说,上海高级口译考察大家英语知识点会更广泛。这对于大家来说是备考的难点。那么在实际的备考中,这部分内容应该如何进行积累学习呢?下面小编为大家整理了“2022年上海高级口译练习题:铜管乐队的衰落”,让我们一起来看看吧!
Saving Britain’s proud brass band legacy
Practice night for Carlton Main Frickley Colliery Band, one of the oldest
brass bands in Britain. History lines the walls of the Yorkshire band’s practice
room: gleaming trophies of past victories, a banner for Best of Brass Champions
1983 and, on one wall, a poster: “The Yorkshire Coalfield — Memories.” It shows
a miner, face blackened from the pit, and names every closed Yorkshire
colliery.
Only three former miners play for Carlton Main these days; the band has
survived without the pit, its ranks swelled by young male and female
professionals and five members under 20. This is the typical, new, middle-class
face of brass bands. Yet their links to a bygone mining tradition persist.
Twenty-five years after brass bands marched during the miners’ strike, this
underground music is in the spotlight again. A new compilation, The Music Lives
on Now the Mines Have Gone, brings 11 colliery bands together, including Carlton
Main. They will line up against another colliery brass album, by the Dinnington
Colliery Band, from Sheffield, the stars of the BBC show A Band for Britain,
which follows Sue Perkins’s efforts to save Dinnington. And next month, the
Leeds-based Opera North commemorates the year-long miners’ strike with Songs at
the Year’s End, a song cycle for brass band.
But what future do these historic groups have? Most brass bands today have
outlived their mining communities, and the effects are profound. When collieries
and their bands were the heart of a close-knit, thriving village, bands played
for pleasure and pride.
The Yorkshire-born Stan Lippeatt, 60, is a former Grimethorpe bandsman who
started playing when he was 10 years old. His father played, so did his
grandfathers, his uncles and his two brothers. “Bands became the pillars of the
village; they turned out to march on Armistice Sunday, they would play the
Christmas carols. They were something for villagers to go to when there wasn’t
much TV about,” he says. Lippeatt founded the annual Butlins Mineworkers Open
Brass Band Championships. “A guy would be on his holidays in Torquay and he’d be
proud to boast he came from the home town of a band.”
The Barnsley poet Ian McMillan, who has written the words for Opera North’s
Songs at the Year’s End, believes that brass bands still play a role in their
communities. “They are an image for how collectivism can survive. And when you
have an area that’s had the collectivism knocked out of it [such as Grimethorpe]
any image of that collectivism and community activity is a good thing.”
Last week, a brass band played outside the Corus steelworks on Teesside as
it was closed down. With the strike of 1984-85, collectivism took on a political
edge. Brass bands led marches to London. They led rallies in villages across the
mining heartlands, North and South, and they played at the funerals of miners
killed on picket lines. A sense of lost camaraderie remains. “Margaret Thatcher
didn’t just decimate the pits, she decimated our community spirit,” says the
former miner Ray Sykes, the 63-year-old chairman of Carlton Main. “With the
closure of the collieries, she’s hurt my band.”
Today, bands are no longer the “glue” of their communities. The
infrastructure they relied on — miners’ social clubs, bandstands and so on — has
largely disappeared. And though they struggle on, the bands are disappearing,
too. From about 20,000 brass bands at the turn of the 19th century, numbers are
down to an estimated 1,000 bands. Anecdotally, bandsmen will tell you of ten
bands a year folding. Banding’s grassroots are dying.
Why the crisis? The problem is money: both too much and too little. In
recent years a footballing analogy has become more potent as sponsorship money
has flooded the top echelons of brass banding, leaving the lower bands fighting
for survival.
The top bands, such as Grimethorpe Colliery (famously the one playing in
the 1996 movie Brassed Off), Black Dyke and Brighouse and Rastrick — all in
Yorkshire — and the Wales-based Cory, can afford to pay their players
five-figure retainers in addition to concert fees and travel expenses to
contests and rehearsals.
Most players today own their instruments (though brass doesn’t come cheap;
a tuba can cost £7,000). The catch is that the better you get, the more it
costs. Carlton Main compete in the championship, pushing running costs to about
£30,000 a year. Attending one contest can cost £3,000, for coach hire, the
conductor’s fee and the sheet music (at least £100 a pop). Carlton Main’s
players pay their own hotel costs and for travel to rehearsals. Self-sufficiency
has replaced collectivism; how very Thatcherite.
词句笔记:
outlive:经受住,比……活得长,渡过
knock out:赶出去
echelon:等级,阶层
tuba:低音大喇叭
conductor:乐队指挥
以上就是为大家整理的“2022年上海高级口译练习题:铜管乐队的衰落”,希望大家能够更好的学习上海高级口译,取得理想的成绩。
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